|
The
Lord of the Rings Trilogy: Excellent transfer with amazing
detail. A truly impressive soundtrack. |
|
 |
|
|
Spiderman,
Spiderman 2: Transfer maintains the true color balance of the theatrical
release as well as any movie I've seen. |
|
 |
|
|
The Incredibles: The
pseudo-reality of The Incredibles is well- served by
Pixar's high-water-mark rendering. The magnificent direct
digital transfer is unequivocally stunning in it's faithful
2.39:1 aspect ratio. |
|
 |
|
|
The
Day After Tomorrow: The scene where the tidal wave hits New York is a
major test for any subwoofer. |
|
 |
|
|
Seabiscuit: The race scenes provide the perfect test to see if the video
processor in your display can handle fast motion without digital
artifacts. |
|
 |
|
|
Fleetwood
Mac, The Dance, track #10: Although most of the full band
tracks are tubby sounding in the bass, the solo acoustic cuts are great,
particularly this one. If you have the system dialed in right the vocals
will lock to the center and a lot of snap to the finger picked guitar. |
|
 |
|
|
The
Fifth Element, timer start at 91:02: If you have to show
crash, bang, boom, this is the one. This sequence does it in style with
cartoon violence, quick edits, great color which shows off video
performance nicely. |
|
 |
|
|
Austin
Powers: An excellent DVD for detail and picture quality, with
lots of bright colors. Very good sound as well. |
|
 |
|
|
Ronin:
A quick-paced action thriller with immense sound effects, especially
during the car chase sequences, which are some of the best ever filmed. |
|
 |
|
|
James
Taylor, Live - a great quality concert video performance. |
|
 |
|
|
Kenny
Loggins, Live, Outside from the Redwoods - another great
concert video performance. Excellent audio on both of these.
|
|
 |
|